Galerie Krinzinger

3 Lampen
2013
MUD-Print on Japan Paper
64 x 82 cm
© courtesy Galerie Krinzinger and the artist
Apples at Night
2019
MUD-Print on Japan Paper
104 x 73 cm
© courtesy Galerie Krinzinger and the artist
bluebeach
2017
MUD-Print on Japan Paper
70 x 62 cm
© courtesy Galerie Krinzinger and the artist
cracklight_moonlight
2013
MUD-Print on Japan Paper
50 x 60 cm
© courtesy Galerie Krinzinger and the artist
debirs_cutt#2
2018
MUD-Print on Japan paper
82,5 x 105,5 cm
© courtesy Galerie Krinzinger and the artist
From moment to moment_cut#1
2014
MUD-Print on Japan Paper
83 x 113,5 cm
© courtesy Galerie Krinzinger and the artist
Hallucigenia Modell
2022
mixed media
/
© courtesy Galerie Krinzinger and the artist
NOWOMAN NOMAN NONAME NOMAD
2011
MUD-Print on Japan Paper
228 x 98
© courtesy Galerie Krinzinger and the artist
redpulp
2019
MUD-Print on Japan Paper
82 x 98,5 cm
© courtesy Galerie Krinzinger and the artist
Rettich
2012
MUD-Print on Japan Paper
54 x 75,5 cm
© courtesy Galerie Krinzinger and the artist
transkaktus
2018
MUD-Print on Japan Paper
83 x 118 cm
© courtesy Galerie Krinzinger and the artist
Wespen (close up)
2018
MUD-Print on Japan Paper
89 x 105 cm
© courtesy Galerie Krinzinger and the artist
Martin Walde’s process-driven practice exists at the nexus of art, nature and science, working across a range of mediums to create works that are simultaneously experimental and analytical in nature. Exploring concepts of time and the way objects occupy space, Walde’s works are often realised through active participation from the audience. Communicating abstract concepts in a multitude of ways, Walde encourages the viewer to reconsider accepted ideas and question their understanding of the materiality of the world. Since the 1980s Walde has developed artworks that consciously exclude explanatory texts on the basis that the provision of instruction manipulates the viewer’s experience. By deliberately creating ambiguous situations, Walde introduces an alternate reality where control and authority must be renegotiated.
born 1957 in Innsbruck, Austria, lives and works in Vienna, education: Akademie der Bildenden Künste Vienna, Austria, with Wolfgang Hollegha, Max Weiler and Arnulf Rainer, selection of solo exhibition at: Neue Galerie Graz, AUT, until May 15th 2022, Stadtgalerie Saarbrücken, DEU 2015, Museum Villa Rot, Kunsthalle Rot, Burgrieden, DEU 2015, Galerie Krinzinger, Vienna, (since 1982), Kunstraum Dornbirn, AUT, 2014,MARTa Herford, Herford, DEU, 2010, ZKM, Karlsruhe, DEU, 2009, Neue Galerie Graz, AUT, 2007, Kunsthaus Baselland, Basel, CHE, 2006, Galerie im Taxispalais, Innsbruck, AUT, 2005, Städtische Galerie Nordhorn, DEU, 2003, Salzburger Kunstverein, Salzburg, AUT, 2002, Fuchu Art Museum, Tokyo, JPN, 2001, Secession, Vienna, AUT, 1996, selection of group exhibitions: Glass and Concrete. Manifestations of the Impossible2, Marta Herford, Herford, DEU, 2020, Negativer Raum“, ZKM, Zentrum für Kunst und Medientechnologie Karlsruhe, DEU, 2019, They Are Uttered and Unfinished“, All the Loves in the World II, Borusan Contemporary, Emirgan, Istanbul, TR, 2019, 21th Biennale of Sydney – Biennale of Sydney, Sydney, NSW, AUS, 2018, Balkrishna Bungalow Opp. – Kandarpadar Police Station“, Kochi-Muziris Biennale 2016, Mumbai, IND, 2016, 4th Moscow Biennale of contemporary art, Moscow, RUS, 2011, days of hope“, Biennale di Venezia, Venedig, ITA, curated by von Maia Damianovic; ITA, 2001, Biennale Montreal, Montreal, CAN, 1998, documenta X“, Kassel (Museum Fridericianum, Kulturbahnhof u.a.), DEU, curated by Catherine David, 1997 Biennale Istanbul, Istanbul, TR, 1989, Aperto 86“, Biennale di Venezia, Venice, ITA, 1986,
Galerie Krinzinger was found in 1971 by Ursula Krinzinger in 1972 the gallery moved to Innsbruck and since 1986 it is located in Vienna’s first district. Today the Gallery is run by Ursula Krinzinger and her son Thomas Krinzinger. In 2002 Krinzinger Schottenfeld (formerly Krinzinger Projekte) as an experimental exhibition space and as the first of four Artist in Residency locations opened its doors in the seventh district in Vienna. Since then the Gallery has founded the Krinzinger Residencies with further studios in Hungary, Sri Lanka, and Croatia. Initially the Gallery was based on Viennese Actionism and international performance and body related art and a very early focus on feminist art. Since its early years the Gallery is producing and curating not only prominent Solo Exhibitions, but also thematic group exhibitions of historic importance, for example Zur Situation und Kreativität der Frau (1975), Artist Festival in Brdo (1976), Zur Definition eines neuen Kunstbegriffs (1979), Neue Strategien NYC I (1986), Manierismus subjektiv (1987), Fluxus subjektiv (1990), LAX (1992), UK Maximum Diversity (1998), Berlin Binnendifferenz (2000), post_modellismus (2005), curated by_ (2009–2020), to a passer by (2019), and a great number of renowned Solo Exhibitions with international artists represented by the gallery such as Marina Abramović, Atelier van Lieshout, Kader Attia, Gottfried Bechtold, Monica Bonvicini, Günther Brus, Chris Burden, Angela de la Cruz, Zhang Ding, Secundino Hernández, Waqas Khan, Brigitte Kowanz, Maha Malluh, Jonathan Meese, Otto Mühl, Hans Op de Beeck, Meret Oppenheim, Eva Schlegel, Rudolf Schwarzkogler, Mithu Sen, Sudarshan Shetty, Daniel Spoerri, Gavin Turk, Erik van Lieshout, Martin Walde, Mark Wallinger, Zhang Wei, Lois Weinberger, Thomas Zipp.
+43 1 513 30 06
Ursula Krinzinger / Thomas Krinzinger/ Michael Rienzner
Martin Walde’s process-driven practice exists at the nexus of art, nature and science, working across a range of mediums to create works that are simultaneously experimental and analytical in nature. Exploring concepts of time and the way objects occupy space, Walde’s works are often realised through active participation from the audience. Communicating abstract concepts in a multitude of ways, Walde encourages the viewer to reconsider accepted ideas and question their understanding of the materiality of the world. Since the 1980s Walde has developed artworks that consciously exclude explanatory texts on the basis that the provision of instruction manipulates the viewer’s experience. By deliberately creating ambiguous situations, Walde introduces an alternate reality where control and authority must be renegotiated.
born 1957 in Innsbruck, Austria, lives and works in Vienna, education: Akademie der Bildenden Künste Vienna, Austria, with Wolfgang Hollegha, Max Weiler and Arnulf Rainer, selection of solo exhibition at: Neue Galerie Graz, AUT, until May 15th 2022, Stadtgalerie Saarbrücken, DEU 2015, Museum Villa Rot, Kunsthalle Rot, Burgrieden, DEU 2015, Galerie Krinzinger, Vienna, (since 1982), Kunstraum Dornbirn, AUT, 2014,MARTa Herford, Herford, DEU, 2010, ZKM, Karlsruhe, DEU, 2009, Neue Galerie Graz, AUT, 2007, Kunsthaus Baselland, Basel, CHE, 2006, Galerie im Taxispalais, Innsbruck, AUT, 2005, Städtische Galerie Nordhorn, DEU, 2003, Salzburger Kunstverein, Salzburg, AUT, 2002, Fuchu Art Museum, Tokyo, JPN, 2001, Secession, Vienna, AUT, 1996, selection of group exhibitions: Glass and Concrete. Manifestations of the Impossible2, Marta Herford, Herford, DEU, 2020, Negativer Raum“, ZKM, Zentrum für Kunst und Medientechnologie Karlsruhe, DEU, 2019, They Are Uttered and Unfinished“, All the Loves in the World II, Borusan Contemporary, Emirgan, Istanbul, TR, 2019, 21th Biennale of Sydney – Biennale of Sydney, Sydney, NSW, AUS, 2018, Balkrishna Bungalow Opp. – Kandarpadar Police Station“, Kochi-Muziris Biennale 2016, Mumbai, IND, 2016, 4th Moscow Biennale of contemporary art, Moscow, RUS, 2011, days of hope“, Biennale di Venezia, Venedig, ITA, curated by von Maia Damianovic; ITA, 2001, Biennale Montreal, Montreal, CAN, 1998, documenta X“, Kassel (Museum Fridericianum, Kulturbahnhof u.a.), DEU, curated by Catherine David, 1997 Biennale Istanbul, Istanbul, TR, 1989, Aperto 86“, Biennale di Venezia, Venice, ITA, 1986,
Galerie Krinzinger was found in 1971 by Ursula Krinzinger in 1972 the gallery moved to Innsbruck and since 1986 it is located in Vienna’s first district. Today the Gallery is run by Ursula Krinzinger and her son Thomas Krinzinger. In 2002 Krinzinger Schottenfeld (formerly Krinzinger Projekte) as an experimental exhibition space and as the first of four Artist in Residency locations opened its doors in the seventh district in Vienna. Since then the Gallery has founded the Krinzinger Residencies with further studios in Hungary, Sri Lanka, and Croatia. Initially the Gallery was based on Viennese Actionism and international performance and body related art and a very early focus on feminist art. Since its early years the Gallery is producing and curating not only prominent Solo Exhibitions, but also thematic group exhibitions of historic importance, for example Zur Situation und Kreativität der Frau (1975), Artist Festival in Brdo (1976), Zur Definition eines neuen Kunstbegriffs (1979), Neue Strategien NYC I (1986), Manierismus subjektiv (1987), Fluxus subjektiv (1990), LAX (1992), UK Maximum Diversity (1998), Berlin Binnendifferenz (2000), post_modellismus (2005), curated by_ (2009–2020), to a passer by (2019), and a great number of renowned Solo Exhibitions with international artists represented by the gallery such as Marina Abramović, Atelier van Lieshout, Kader Attia, Gottfried Bechtold, Monica Bonvicini, Günther Brus, Chris Burden, Angela de la Cruz, Zhang Ding, Secundino Hernández, Waqas Khan, Brigitte Kowanz, Maha Malluh, Jonathan Meese, Otto Mühl, Hans Op de Beeck, Meret Oppenheim, Eva Schlegel, Rudolf Schwarzkogler, Mithu Sen, Sudarshan Shetty, Daniel Spoerri, Gavin Turk, Erik van Lieshout, Martin Walde, Mark Wallinger, Zhang Wei, Lois Weinberger, Thomas Zipp.